Up until the Archaic Greeks created the very first freestanding statuary, a remarkable achievement, carvings had mainly been completed in walls and pillars as reliefs. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi were considered by the Greeks to rep

Up right up until the Archaic Greeks introduced the first freestanding statuary, a remarkable success, carvings had mostly been accomplished in walls and pillars as reliefs. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi, viewed by the Greeks to symbo

Up right up until the Archaic Greeks introduced the first freestanding statuary, a remarkable success, carvings had mostly been accomplished in walls and pillars as reliefs. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi, viewed by the Greeks to symbo

Up right up until the Archaic Greeks introduced the first freestanding statuary, a remarkable success, carvings had mostly been accomplished in walls and pillars as reliefs. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi, viewed by the Greeks to symbo

Up right up until the Archaic Greeks introduced the first freestanding statuary, a remarkable success, carvings had mostly been accomplished in walls and pillars as reliefs. Most of these freestanding sculptures were what is known as kouros figures, statues of young, attractive male or female (kore) Greeks. The kouroi, viewed by the Greeks to symbo